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Hmm, for all the wrong reasons too. I didn’t think of that. I might have to “noindex” it.
I agree Joen. The soundtrack is wonderful and it so well chosen. Each song/melody seems to compliment its scene perfectly. I’ll probably have to, cough, “acquire” the album for my ‘pod. There’s another scene that struck a chord with me too: David Aames (Cruise) in the middle of the large, empty atrium, shouting “tech support!” Who hasn’t felt like that at some point? :-) |
Damned, speaking of self control! Being inside Cameron and still have something to swallow???? Now i’m utterly depressed!! |
Hmmm… I hadn’t thought of that. Damn, Mr. Cruise must be a right stud! :-) |
Beah! Penélope Cruz is much sexier, in that exotic sort of way, and the love scenes with her are much more dreamy. Also, Cameron Diaz’s character goes all psycho-bitch just after saying that… stuff like, if you have sex your body makes a promise, and stalks Tom Cruise’s character… just made my package shrivel. I guess that after she put Ben Stiller’s imaginary “man juice” in her hair in There’s Something About Mary there was little to go before this… and anyway, she’s a professional! (actrice) |
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This’ll get you a lot of fresh visitors from Google I’m sure :)
Oh but seriously, the thing I liked the most about that film was the soundtrack. Funny story: The music that’s playing during the “jump scene”, is actually a bootleg of icelandic Sigur Rós’ “Njosnjavelin”. It’s a bootleg (live recording) because at the time of the movie, that song had not yet reached an album. For the same reason, the song is not on the soundtrack. Now, on the other hand, it can be found on Sigur Rós’ “()” album, though simply entitled “Untitled #4”.